Thursday 21 August 2008

Mp3 music: Kelly Osbourne






Kelly Osbourne
   

Artist: Kelly Osbourne: mp3 download


   Genre(s): 

Rock: Pop-Rock
Metal: Alternative
Punk

   







Kelly Osbourne's discography:


Sleeping in the Nothing
   

 Sleeping in the Nothing

   Year: 2005   

Tracks: 11
One Word
   

 One Word

   Year: 2005   

Tracks: 6
Changes
   

 Changes

   Year: 2003   

Tracks: 17
Shut Up
   

 Shut Up

   Year: 2002   

Tracks: 12






As the scion of a well-situated great alloy icon and his apt director married woman, Kelly Osbourne's celebrity was mayhap inevitable. Still, it was a curious blend of freakish realness TV success, gift for performance, distinctive adolescent peevishness, and a flare for Courtney Love-like self-promotion that in the end posited Kelly fully in the public's knowingness.


Gene Kelly Osbourne was born October 27, 1984, in London, England. Growing up during the judicious days of Ozzy's '80s replication, she rip her clock time between proper English schooling and international hotel suite. It was for certain an unconventional upbringing, merely one that strengthened the Osbournes' familial adherence in foreign and interesting ways. Kelly and her kin stirred permanently to Los Angeles in 1995, and proverb Ozzy's Ozzmosis LP sell trey million copies, competently returning him from the border of retirement. That revitalization light-emitting diode to Ozzfest, a perennially successful summer package enlistment that itself aided in the popular christ's Resurrection of the alloy musical style. Naturally, with Ozzy's reemergence came interviews and compress.


As Kelly and her brother Jack began devising more and more appearances with their momma and dada, observers renowned the Osbournes' quite different take on the traditional family line dynamical. And subsequently a peculiarly memorable gossip by Cribs to the lovably battling brood, MTV could visit that it had something good. The Osbourne Family premiered in March 2002, and was an immediate general strike. Fashionably brash, impossibly crass, and a bit of a loudmouth, Kelly speedily proved superstar at spotlight-hogging. The release of the clunky Osbourne Family Album that June signaled that the tie-ins and overexposure had reached a fever deliver. However, Kelly's rocked-up travesty of Madonna's "Papa Don't Preach" made considerable interference, and abruptly Sony/Epic (Ozzy's longtime label home) was preparation a Kelly Osbourne full-length.


The fizzing, lightly rocking Close Up appeared for the first sentence in November 2002, accompanied by a media blitz banking on Kelly's world TV exposure and her heroic character. However, contempt multiple magazine covers, gossipy interviews, and her participation in the Osbournes' profanity-laced hosting of that year's American Music Awards, Close Up failed to flicker a great deal interest, and by May 2003, Kelly had been dropped from Epic. The setback neither slowed her down nor close her up, and by fall Kelly had resurfaced on the Sanctuary label. Rather than cathartic new material (it was rumored Kelly had had an album in the can at Epic earlier her dismission), Sanctuary reissued Close Up in September 2003 as Changes. It included hot material and new cover artistry, as well as the title path and lead unmarried, a refashioned Kelly/Ozzy duet version of the quondam Black Sabbath Vol. 4 ballad.


It continued to be an eventful biography for Kelly and her kin. With another season of The Osbournes in full swing, Kelly announced that she had been suffering from clinical depression. Then there was the dissolution of her relationship with Used singer Bert McCracken, the announcement of her mother's fight with cancer, Ozzy's serious injury in an ATV accident, and Jack's entryway into drug rehab. Ozzy also scuffled with a burglar at the family's Buckinghamshire estate. But Kelly also received strong notices for her actress turn in the passing ABC stripling drama Life as We Know It, and set plans for some other album fifty-fifty as she labored through rehab. Sleep in the Nothing appeared via Sanctuary in June 2005, with production and co-writing from hitmaker Linda Perry. It trashed the rock sound of her debut for stark dance-pop influenced heavily by the eighties, a sound Kelly aforementioned was more congressman of her tastes.